Beginn: 20:00
Einlaß: 19:00
„Solostück“ Vol. I Warm-Up mit
Moritz Fasbender
Moritz Fasbender ist eines der zahlreichen Pseudonyme der in Leipzig lebenden Pianistin und Komponistin Friederike Bernhardt. Ihre Arbeit für unzählige Theater- und Rundfunkproduktionen sowie ihr Studium der elektroakustischen Komposition nahmen einen wesentlichen Einfluss auf die Klangsprache ihrer aktuellen Werke. „Mit Fasbender hören wir einer Frau zu, die im Grenzstreifen zwischen Klassik und Elektronik neue Maßstäbe setzt, zwischen analogem Klang und virtuellem Raum schlafwandlerisch navigiert – zuletzt festgehalten auf ihrem Debut 13 RABBITS, erschienen als Split-Release bei Sony’s XXIM Records und Edition Dur/Dusssmann. Sie arbeitet mit einer ganz spezifischen Aufmerksamkeit gegenüber Hallräumen und Störgeräuschen und setzt die Elektronik ein wie ein Chefkoch seine Gewürze. Einer radikale und zugleich dunkle, nokturne Suite – ein Filmscore für einsame Nächte.“
Moritz Fasbender is one of the many pseudonyms under which she publishes her multifaceted work. Moritz’s solo piano music has already been released by Deutsche Grammophon and Leiter Verlag, among others. Moritz Fasbender released their EP debut RABBITS on XXIM Records (Sony) in June 2022. Their debut LP 13 RABBITS has been released in August 2022 as an exclusive vinyl edition, exclusively sold via the long-standing culture retailer Dussmann in Berlin.
https://www.friederikebernhardt.com
Special Guest Clarice Jensen
Clarice Jensen is a composer and cellist based in New York who graduated with a BM and MM from the Juilliard School. As a solo artist, Clarice has developed a distinctive compositional approach, improvising and layering her cello through shifting loops and a chain of electronic effects to open out and explore a series of rich, drone-based sound fields. Pulsing, visceral and full of color, her work is deeply immersive, marked by a wonderful sense of restraint and an almost hallucinatory clarity. Meditative yet with a sculptural sharpness and rigor that sets it apart from the swathe of New Age / DIY droners, she has forged a very elegant and precise vision.
Her music has been described by Self-Titled as “heavily processed, incredibly powerful neo-classical pieces that seem to come straight from another astral plane”; by Boomkat as “languorously void-touching ideas, scaling and sustaining a sublime tension”; whilst Bandcamp remarked upon “a kaleidoscope of pulsing movement rich in acoustic beating and charged with other psychoacoustic effects, constantly shifting in density and viscous timbre.”
Jensen’s striking debut album For This From That Will Be Filled was released in April 2018 on the Berlin-based label Miasmah and followed in September 2019 with the „Drone Studies“ EP, a cassette release via Geographic North. Signing to FatCat’s 130701 imprint (Max Richter, Jóhann Jóhannsson, Hauschka, Dustin O’Halloran, etc.) in late Summer 2019, her sophomore album The experience of repetition as death was released April 2020. Naming it among the top 50 albums of 2020, NPR remarked „This collection of requiems for a dying mother ranks among the great ambient albums of the 21st century.“ Her new album Esthesis was released in October 2022.
Online-Tickets – www.TixforGigs.com
Eine Veranstaltung im Rahmen der Reihe „Musikalische Experimentierfelder“, gefördert vom Musikfonds e.V. mit Projektmitteln der Beauftragten der Bundesregierung für Kultur und Medien.